Showing posts with label Asta Lingams. Show all posts
Showing posts with label Asta Lingams. Show all posts

karthigai deepam


The Karthigai Deepam festival is celebrated in the Tamil month of Karthigai(November-December). It begins on Uttradam day with flag hoisting and goes on for nine days.
Between the raising and the lowering of the flag, the temple is the scene of two types of activity during the day: each morning and evening the five deities, Shiva, the goddess, Subrahmanya, Ganapati, and Chandikeshvara, go around the car-streets in procession; before leaving, they present themselves in front of the sacrificial hall where the fire-ritual is performed twice a day, and receive on their foreheads a protective black spot made of ash mixed with ghee. On the seventh day the same deities, each on a huge wooden car, are led in turn around the four temple streets in a procession which lasts the whole day.

In the early hours of the tenth day Bharani Deepam in five agantams will be lit in Arunachaleswarar’s Sannithi. In the evening the Pancha Murthis will be brought to the Katchi Mantapam. At duck(Pradosha) the Karthigai day synchronising with the full moon day, the deity, Ardhanareeswarar is taken out to this place with the five deepams which are put in a big receptacle near the flag-stuff.

At the same time the beacon light on the hill is lit. The huge concourse of devotees from all parts of our country in a million voice raise a cry cimultaneously “Harohara to Annamalai” which will rend the air. It is a sight for the Gods to see. On the hill top there is a big copper turn in which large quantities of camphor, ghee and wicks(of cloths) are poured and when these are lighted it will be seen from miles around for somedays after the Deepam festival day. We do not have such a huge light in any other place of our country. On the same night the eleven storeyed Gopuram is also lit with “Ahals”(earthern oil lamps) set in rows in all the storeys. Though this festival is special to Tiruvannamalai it is common throught the Tamil country. Lighting festival is celebrated in all the temples of South India including Vishnu temples. All the houses will also be illuminated with number of lamps being arranged in rows to give beautiful appearance.

Arunachaleswarar Temple



The famous Arunachaleswarar Temple at Thiruvannamalai, Tamil Nadu is a Pancha Bootha Sthalam representing the element Fire (Agni). It is said that Lord Shiva manifested in Thiruvannamalai as a column of fire. Lord Brahma and Vishnu tried to find the origin of the fire column towards the top and the bottom but could not find any end to it. The holy Arunachala mountain is considered as the representation of the column of fire itself. Devotees circumbulate around the mountain considering it as the Lingam of frozen fire. The Arunachala mountain is also associated with the life of Bhagavan Ramana Maharshi.

Arunachaleswarar Temple, Tiruvannamalai, Kartikai Deepam, Tamilnadu, Pancha Bhoota Stalam, Paadal Petra Stalam, Arunachaleswarar - Annamalaiya


Tiruvannamalai the home of Annamalayaar or Arunachaleswarar (Shiva worshipped as a Shiva Lingam) and Unnamulaiyaal (Apitakuchambaal - Parvati), is one of the largest temples in India. It occupies a special place in the Saivite realm and is regarded as one of the Pancha Bhoota Stalams (one of the five grand temples associated with the five basic elements) – associated with the element Fire, the other four being Tiruvanaikkaval (Water), Chidambaram (Space), Kanchipuram (Earth) and Sri Kalahasti (Wind) respectively. Shiva is said to have manifested himself in the form of a massive column of fire, whose crown and feet, Bhramma and Vishnu attempted in vain to reach. A celebration of this manifestation is seen today in the age old traditions observed in the Shivaratri and the Kartikai Deepam Utsavams held here.

Antiquity: There is an air of deep mysticism around the temple, the hill and its environs and the town itself has been known for its long association with Yogis, Siddhas, the well known spiritual savant Ramana Maharishi and several others. The origin of this temple dates way back in time, although much of the temple structure as seen today, is a result of building activity over the last one thousand years. Seventh century Tamil poetry glorifies this temple. All of the four Saivite Saints Appar, Sambandar, Manikkavacakar and Sundarar have sung the glory of this temple and it was at this temple that Arunagirinathar began composing his immortal work Tiruppugazh. Muthuswamy Deekshitar’s kriti Arunachalanatham pays tribute to the presiding deity of Tiruvannamalai.

Architecture: The ancient and vast Arunachaleswarar Temple as it stands today is the result of several centuries of building, alteration and extension. A Nandi faces the main shrine in each of its five prakarams. The outermost prakaram houses the thousand pillared hall and the Shiva Ganga tank and is pierced on four sides with colossal Gopurams. . The fourth prakaram includes the Bhramma Tirtham, and its eastern gateway Vallala Gopuram holds a statue of King Ballala. The third prakaram which dates back to the 12th century AD has several Linga Shrines, and the Kili Gopura Entrance. In the East side of the prakaram stands the Flag Staff while the Northern side is home to the massive shrine of Unnamulai Amman. The 3rd prakaram surrounds the roofed 2nd prakaram which houses the pantheon of deities associated with Shiva, which in turn surrounds the shrine of Annamalaiyar.

Worship and Services:

An elaborate protocol of worship services marks each day at the Tiruvannamalai temple where about a hundred and fifty people are attached to the temple including priests, musicians, singers, carpenters, potters, washermen, palanquin bearers, garland makers, administrators, guards etc.

The day begins with the ceremonial arrival of Ganga to the shrine, from a tank in the Southern part of the town on an elephant through the Southern, Tirumanjana Gopuram. This water cleanses the entrance to the second prakaram, and then the next ritual involving the waking up of Shiva and Parvati in the bedchamber. The Shiva-Meru returns to the Annamalaiyaar shrine while the image of Parvati returns to the Unnamulaiamman shrine.

Six other pujas are offered at the temple, the first one at 6 am, and the last one at night where the Shiva Meru and the image of Parvati are processionally brought into the bed chamber. Each service is accompanied by chants of invocation, dedication and praise. In the south west corner of the prakaram, the sacrificial fire ritual takes place, ending with the consecration of vessels of water which are used in the ablution of Annamalaiyaar and Unnamulai Amman.

Festivals:

Several festivals dot the Tiruvannamalai temple town's calendar. IEach occurrence of the full moon is a celebration in itself, as hundreds of thousands throng to circumambulate the Annamalai Hill, considered to be a reperesentationof Annamalaiyar himself. The festivals of the temple are remarkably intertwined with the life of the locals, marking the so called subtle transcendence between the human and the divine states. In addition to the various festivals, Tiruvannamalai celebrates four annual Bhrammotsavams (10 day festivals) the most famous of which is the Kartikai Bhrammotsavam (in the Tamil month of Kartikai Nov 15 - Dec 15).

The Arudra Darisanam in the month of Margazhi (Dec 15 through Jan 15) is a celebration of the cosmic dance of Shiva. The Tai Poosam festival which occurs in the month of Tai (Jan 15 through Feb 15) is also of great significance. The Tiruvoodal festival, enacting a mock quarrel between Annamalaiyaar and Unnamulai Amman is enacted in the presence of Sundaramoorthy Nayanaar in the Tiruvoodal Street, a street that has been earmarked for this annual event. During this quarrel, Parvati enters the temple alone by herself, leaving Shiva outside, and Shiva (Annamalaiyaar) circumambulates the Annamalai hill (himself), and during his trip, grants liberation to the rishi Bhringi. His jewels get stolen in the West side of the town and he then recovers stolen jewellery in the eastern side of the town, and then returns to the temple the folowing morning.

In the month of Maasi, (Feb 15 through March 15) Shiva is crowned as the King in the absence of a royal heir to King Ballala of the Hoysala dynasty (an early 14th century ruler) whose statue adorns the Vallala Gopuram. Interestingly Ballala's death is announced as an element of the festival tradition during the Tai Poosam celebration season. Associated with these events, Annamalaiyaar visits Pallikondapattu, one of the villages to the east of Tiruvannamalai, where the King's palace is said to have stood.

The Parivettai (Royal Hunt) festival is a part of the two Bhrammotsavams celebrated during the winter and summer solstices. This festival represents a royal hunt on the borders of the town.

The celebration of Kartikai Deepam marks the conclusion of the ten day Bhrammotsavam in the month of Kartikai (Scorpio , Nov 15 through December 15). Each of these festival days is marked by the procession of the Pancha Murthys (Somaskandar (Annamalayar), Unnamulaiyaal, Ganapati, Subramanyar and Chandikeswarar) in gaily decorated mounts. Most noteworthy among these are the Rishabha Vahana Utsavam celebrated on the fifth evening of the festival and the Rathotsavam, celebrated on the seventh day of the festival.

Kartikai Deepam is preceeded by the Bharani Deepam celebration when a lamp is lit in the main shrine of the temple following a fire sacrifice before the shrine of Surya. A small bowl of ghee lighted at this fire is used to light five other lamps representing the five aspects of Shiva. Preparations begin for the Kartikai Deepam which is to be celebrated in the afternoon. A group of fishermen carry a portion of this fire inside a container of baked earth to the summit of the mountain where a large copper utensil filled with offerings of ghee and pieces of cloth has been placed.

Crowds begin to throng the temple complex, and a discernible order prevails among the crowd as the tens of thousands gathered begin their patient wait for the auspicious moment when the Deepam celebration would reach its peak.

In the meanwhile, preparations go on for the afternoon’s climax. Four of the five decorated Pancha Murthys are are brought out from the main shrine of the temple and housed in Vimanams in the 3rd prakaram of the temple, facing the flag staff and the Annamalai Hill. The last to arrive is Annamalaiyar who comes out of the second prakaram, dancing with his consort.

The crowd waits to catch a glimpse of the deepam which is then brought out of the inner shrine towards the Utsavar Annamalayaar. The anticipation of the lakhs gathered there can only be experienced, not described in words. The deepam is brought out in a gait by the bearers and a deeparadanai is offered to the Utsavar, and at this very instant, the lamp on the hill is lighted as the crowd breaks into a frenzied devout cheer, yet retaining the order that was there when it was just beginning to assemble. The human mass gathered within and around the precincts of the temple, along with the residents of the town and neighboring towns catch sight of the flame atop the Annamalai hill, cherishing the age old belief that it is a representation of Shiva himself, who appeared in the form of a flame whose origins could not be deciphered by the other two of the Trinity namely Bhramma and Vishnu. Keeping with tradition, the inner sanctum doors close, with the arrival of the deepam outside, and it is believed Annamalaiyaar is to be worshipped only as the beacon until the next morning when the shrine is reopened.

Access and Accomodation: Tiruvannamali (located in the erstwhile North Arcot district of Tamilnadu) has several hotels and ashrams and it attracts visitors from all over the world Ramanashramam and Seshadri Swami ashram being examples. Each occurrence of a full moon attracts hundreds of thousands of pilgrims. The Kartikai Deepam celebration also attracts lakhs (hundreds of thousands) to the extent that all incoming traffic is halted at the boundary of the town on the day of the festival. The government of Tamilnadu runs special bus and train services during the occasion. By car, it is a four to five hour drive from Chennai, and there are several 'point to point' non-stop bus services. Tiruvannamalai is located on the railway line linking Villuppuram and Katpadi, and is therefore connected conveniently by rail to centers such as Tirupati and Thanjavur. Tirukkoilur with the Trivikrama temple and the Veeratteswarar temple, Saathanur Dam, and Vellore with its Jalakanteswarar Fort Temple are some of the nearby attractions.

Arulmigu Arunachaleswarar


The Arunachaleswar Shiva temple in Tiruvanamalai situated at the foot of the Arunachala hill, is one of the largest (25 acres) and oldest temples in all of south India. The era of its founding is unknown; the complex grew over several millenia; and the large towers, called gopurams, were erected between the 10th and 16th centuries.The tallest gopuram is over 60 meters tall and has 13 stories.”
“The ancient and vast Arunachaleswarar Temple as it stands today is the result of several centuries of alteration and extension.A Nandi faces the main shrine in each of its five prakarams. The outermost prakaram houses the thousand pillared hall and the Shiva Ganga tank and is pierced on four sides with colossal Gopurams.”
“There are five small gopurams on the inner boundary and four big gopurams on the outer boundary. The inner gopurams are known as Kitti gopurams.There are two gopurams in the East and one gopuram each for the other three directions. The first of the two Eastern gopurams is called Kili gopuram. There are indications that this was built in the 11th century. The gopurams built during this period have no more than five stories. The Kili gopuram was built by Veera Rajendra Chozhan around 1063 A.D. He is referred to as Maharaja Thiribuvana Chakravarthigal in the inscription.This name was also given to the gopuram. The Kitti (smaller) gopurams, except the top of the western one, were built by the Hoysala King Vallala Maharaja III. His name is given to the biggest Kitti gopuram which is in the East.

Poondi Swami

Poondi Swami Ashram
 
It was the fag end of 1969. On my way from Tiruvannamalai to Vellore, I stopped at Polur to have darshan at the samadhi of Saint Vitthoba. We met Duraiswami Swamigal at the mutt who introduced me to a Mr. R. Pargunam. The latter’s father had been a contemporary and devotee of Vitthoba and had had a close association with the saint. Pargunam narrated certain incidents he had heard from his father about Vitthoba’s life.

Before I took leave of him, I asked him if he had known any living siddha.

“Oh, yes,” he said enthusiastically, and added, “There is a swamiyar at Poondi. A recluse, he had wandered for several years around nearby villages. Seven years ago he settled on the pyal of a house there. He has not stirred from there since. Only last month; I was there. You must have his darshan.”
“Where is Poondi?”

“About seven miles from Polur, on the main road to Tiruvannamalai. You will have to take a diversion to reach Poondi village,” Pargunan explained.

We left immediately for Poondi accompanied by Duraiswami Swamigal.

After proceeding about five miles on the Polur-Tiruvannamalai trunk road, we took a turn to the right at Kalasapakkam and travelled along the River Cheyyar.

“This area has been Poondi Swamiyar’s haunt for a number of years. Whether it was blazing sun, or torrential rain, whether it was biting cold or thick mist, he used to spend his days and nights on the river bed only,” said Swamiji.

“Does he belong to Kalasapakkam?”

“No one knows his name or place of birth. For over three decades, he was seen roaming about in the neighbouring villages. About seven years ago he came to Poondi and sat in a small house permanently.”
“What is his age?”

“He looks a man of sixty. But those who have seen him 25 years ago say that they do not find any change in his appearance and that he does not seem to be aging at all. You cannot assess a Siddha‘s age from his appearance,” stated Swamiji.

As we travelled, we enjoyed the natural beauty of the rural landscape. Because of good rainfall, there was a perceptible flow in the otherwise dry river. The leaves of a row of peepul trees on the bank rustled in the cool breeze, somewhat reducing the rigours of the blazing sun.

As we neared Poondi, I asked, “Is the house occupied by the Swamiyar in the interior of the village?”

“No, it is on the main bus route. See, there! Do you see that group of persons standing near a house? That is the house. We park the car here,” said the Swamiji and driver Palani brought the car to a halt.

We got down from the car and walked up to the house.

It was a small, tiled house. It had two pyals on either side. The one on the right was a square one, four feet by four feet, and the one on the left was rectangular, four feet long and two feet wide.

On the left pyal sat the Poondi Swamiyar. His head was poised at an odd angle. He glanced from time to time at those who stood around. He held a couple of boxes of matches in a tight grip in his right hand as he patiently combed his moderate beard with the fingers of his left hand. Every now and then he looked intently at his fingertips, as if searching for lice or dirt. Then he got back to combing his beard with serious intent.

A young man arrived, went to the Swamiyar and whispered in his ear. The Swamiyar nodded assent with a gruff ‘hmm’. The young man picked up a cigarette, placed it between the Swamiyar’s lips and lighted it. The Swamiyar asked for the box of matches. Now the Swamiyar had three boxes of matches in his right fist! He smoked with his left hand. I found him smoking in an unusual way. He inhaled, removed the cigarette, blew out the smoke, almost immediately took the cigarette back to his lips, inhaled, removed it and blew out smoke. He did this rapidly again and again, like a fast-motion shot in a movie, finishing a full cigarette within a couple of minutes! He let out only a little smoke, yet did not seem to swallow much of it.

Two admirers fell prostrate on the ground, stood up, touched his feet with veneration, and asked for sacred ash as prasad.
poondi mahan
“You may take it,” came the curt command. They took it from the cup, smeared it on their foreheads and left, merely saying, “We are going, Saami”. “Let good befall on your endeavours,” responded the Swamiyar, looking down, then looking up for a split second with sparkling eyes.

A boy came with a bottle of aerated water. He opened the bottle and offered it to the Swamiyar, who took it and drank it at a stretch, without once removing the bottle from his lips. As he handed over the bottle to the waiting boy, he let out a noisy and prolonged belch. The boy took a piece of cloth and wiped the Swamiyar’s mouth and nostrils. The Swamiyar received these ministrations like a well-behaved child.


Before the boy left, the Swamiyar took a pinch of sacred ash, smeared it on the boy’s forehead and bade him go.

I had been staring at the Swamiyar all this while. He suddenly looked at me. Nay, I felt a cool spark strike me. When I had read about the efficacy of Shirdi Sai Baba’s ‘yogic glance’ I could not comprehend its full import. When I experienced the power-packed glance of Poondi Swamiyar, I could imagine the impact Sai Baba’s yogic glances would have had on his devotees.

I, who had been watching the happenings without being impressed, fell at his feet the moment he glanced at me. It was an act performed unconsciously. It was a spontaneous response to a look that thrilled me beyond words.

A woman admirer put a peppermint in the Swamiyar’s mouth, as if she was feeding her child. He stretched his hand and asked for the piece of paper in which the peppermint had been wrapped. An inexplicable impulse prompted me to offer something to the Swamiyar. I asked my friend to get a cup of coffee from a nearby ‘tea shop’.

Poondi Swamiyar seated on his pyar. Prominent around him are lithograph pictures of Lord Murugan with the Lord's Vel and the focus of worship. Besides the Vel, at least four images are of Murugan.

A local enthusiast who had been busy offering me unsolicited information about the idiosyncrasies of the Swamiyar, told me that he would accept anything only if he had the mind and mood for it, and if he accepted what was offered, it meant the giver had his blessings in ample measure. Hence, it was with much hesitation and trepidation that I proffered the coffee to the Swamiyar.

He gave me a searching look and accepted the coffee. I observed his fingers. They were long and thickset. The hand was also large and sturdy. If he stood up he would be a stalwart figure.

He drank the coffee too in an unorthodox fashion. He neither raised his head nor removed the cup from his lips. He slurped the coffee fast with his tongue, as a cat would drink milk from a plate. I was immensely pleased that he had not only accepted my coffee but drunk it with relish. No sooner had he finished, another admirer brought him a cup of tea. He drank that too in the same manner. His ways were indeed strange.

Different fruits and eatables were littered all over the place. He was surrounded by oranges, apples, grapes, plantains, laddu, halwa, boondhi, chocolates, peppermints, biscuits and what not! On his lap lay a cigarette packet, two chocolate wrappers, a one rupee note. There were two glasses with left-over cold coffee. Pictures of various gods hung on the wall. There was a small but imposing vel of Muruga. A colour picture of Lord Muruga was nailed to a pillar opposite him. The Swamiyar concentrated on it at regular intervals. Behind the pyal, there was a small room. The various eatables offered to the Swamiyar were dumped in it up to the roof. Cigarette packets, boxes of matches, garlands, fruits, plantain leaves, bits of paper and a thousand and one things had been thrown in as directed by him. Nobody dared touch even a trivial thing found on the pyal without his permission.

I was startled to find the fruits that had been thrown in were fresh. They had not become rotten. No stink emanated from them. I could not see even a single fly or ant.

I was introduced to a man named Subramani, who was standing near a thatched shed opposite the house. He was a tailor. He had been attending on the Swamiyar for the past three or four years. Before that, when the Swamiyar was occupying the bigger pyal on the right, he did not allow anyone to even come near him.

Only during the last three years had he let others clean the pyal and bathe his body. Subramani brought food for the Swamiyar from his house, both in the morning and in the evening, but the Swamiyar “had never asked him or anyone else to bring him anything to eat. He would eat only if he was spoon-fed. If he did not feel like it, he would reject the food summarily. The Swamiyar sat through the whole day. Only at night would Subramani assist him to stretch out on the pyal. It was anyone’s guess if he slept at all. At four in the morning, he would be assisted to sit up and resume his usual posture.

Asta (Eight) Lingams

                             Asta (Eight) Lingams 

asta lingam
Arunachala is surrounded by eight lingams (Asta Lingams) each residing in one of the eight directions of the four cardinal points (South – Yama, West – Varuna, North – Kubera, and East – Indra) and four intercardinal points (South East – Agni, South West – Niruthi, North West – Vayu and North East – Esanaya).
 



Indra Lingam (East)

 
The Indra Lingam has east as its direction. It is associated with the celestial Lord Indra. This Lingam is situated on Car Street close to the eastern tower of Arunachaleswarar Temple.

Lord Indra is the king of Heaven according to Hindu mythology. His consort is Indrani. His vehicle is the celebrated four-tusked white elephant Iravathi. Indra manifests seated on his elephant wielding in his hand the weapon Vajra with which he destroys ignorance and bestows spiritual knowledge on his deserving devotees.

The Indra Lingam is dominated by the Navagrahas, Lord Surya and Lord Shukra (Venus). Devotees are blessed with long life and with prosperity, on worshipping Indra lingam.


 
Agni Lingam (South East)
 
agni lingam
The Agni Lingam has south-east as its direction. It is situated close to Seshadri Ashram on Chengam road and is the only Lingam located on the right side of the Girivalam Path.

Lord Chandra (Moon) is the dominant Navagraha of Agni Lingam. Lord Agni, is the God of the fire of Knowledge. He has seven hands and seven tongues. Agni is the light of the lives of all creatures and is invoked in the performance of Homa. His vehicle is the goat Saga who serves as the sacrificial beast in the fires of Homa.

Worshipping this Lingam helps devotees get relief from disease, to maintain good health and also helps them face problems and difficulties in their lives.





Yama Lingam (South)

yama lingam
The Yama Lingam has South as its direction. It is associated with Yama the God of death. It is situated beside the cremation grounds on Chengam road.

The dominant Navagraha of this Lingam is, Mangala (Mars).  Yama is portrayed sitting on his mount, a powerful black buffalo named Mahishan and with two  monstrous dogs by his side. He is supposed to carry a huge lasso with which he drags each being at the time of death to face heaven or hell according to the being’s karma.

Devotees get rid of their financial constraints on worshipping the Yama lingam. This Lingam is also conducive for longevity of life span


Niruthi Lingam (South West)


niruthi lingam
The Niruthi Lingam has South West as its direction. It is situated on the Girivalam pathway near the Shantimalai Compound. It is associated with Lord Rahu.

Niruthi is the king of the Asuras (demons) and he jointly rules the Southern realm along with Yama. His associate is a dog.

Legend reports that king Nala bathed in Niruthi Lingam Theertham to be relieved of sins incurred due to his karma. This Lingam is specially renowned to help people recover from the bad effects of black magic and other negative energies.

Health, wealth and fame are the beneficial aspects of this lingam. It is also beneficial for couples to worship at this Lingam if they wish to have a child. Worshipping this Lingam is believed to help devotees achieve detachment to worldly desire.



Varuna Lingam (West)

varuna lingam
Varuna Lingam has the West as its directions. This lingam is situated on the outer girivalam pathway about one kilometre before the village of Adi Annamalai.

Varuna’s vehicle is Makara (that lives both on land and water) which is an animal with the head and front legs of an antelope and the body and tail of a fish.

This Lingam has Lord Shani as its dominant Navagraha. Varuna Theertham, a holy tank, is located here. Devotees are protected from illness, particularly water related diseases.

Legend has it that the eye of Varuna is Surya and when Surya appears in the constellation of Makara, its  a special event and honoured as Makara Sankarathi. This day falls each year in mid-January and is celebrated as Pongal Festival in Tamil country.

Varuna is the king of appreciation and enjoyment. He governs the whole world. He is the God of rain and God of all the waters in the three worlds. He surveys the deeds of man according to his karma and keeps them under his control. Placating Varuna is believed to wash away accumulated sins.


Vayu Lingam (North West)

vayu lingam
Vayu Lingam has the north-west direction as its direction. It is situated on the girivalam pathway, about one kilometer after the village of Adi Annamalai

Vayu is the Hindu god of wind and he is often associated with Indra. His vehicle is the deer. Kedhu (Kethu) is the dominant Navagraha of this Lingam. As Vayu is the God of wind, He provides creatures with vital life-giving breath thus sustaining the entire Universe.

It is reported that at any time of the day, and in every season, when one enters this shrine one is always greeted by a gust of wind.

Relief from heart diseases, stomach problems, lung problems and general illness are conferred to the devotees on worshipping this Lingam.


Kubera Lingam (North)


kubera lingam
Kubera Lingam has the North as its direction. It is located on the girivalam pathway before entering the town and a few hundred metres before the Panchamukham.

The Kubera Lingam has Lord Brihaspati (Guru or Jupiter) as its dominant graham. He has three legs and eight teeth. His vehicle is a female goat. His abode is in the capital of the Himalayas. His consort is Yakshi. He is the Chief of the Yakshas who safeguards the riches of the Devas. He is a very friendly with Shiva.

It is believed that Lord Kubera came to this place to worship Arunachala in order to maintain his wealth and prosperity. Hence a Shiva lingam was installed and consecrated at a point exactly north from the mountain.

Kubera is the God of wealth and material possessions. He does not create wealth, but he is believed to be the one who distributes wealth amongst his devotees.


Esanya Lingam (North East)


esanya lingam
Esanya Linga has the north east as its direction. It is located on the old girivalam road to town, beside the  main cremation grounds.

This lingam was installed by Esanyan and has Lord Budha (Mercury) as its dominant Navagraha.

Esanya is one of the  seven Rudras of Shiva. He is covered with ashes and surrounded by ghosts, he has matted locks and fierce eyes and is seated on a tiger skin. He holds the crescent moon and the river Ganga in his locks. His body is adorned by coiled serpents. In his hands he holds the mortal drum and the trident of Shiva. Devotees are blessed with peace of mind on offering prayers to Easanya Linga.